Exploring the future music world: the process of integrating artificial intelligence and brain science

On October 28, the Opera Concert Hall of the Central Conservatory of Music held the opening ceremony and future concert of the World Music Artificial Intelligence Conference. This conference gathered global experts in the fields of music artificial intelligence, music and brain science, music therapy, and representatives of music industry-related companies to discuss the future music world and share the latest cutting-edge technologies and industry hot spots

Please proceed with the opening ceremony

Yu Feng, President of the Central Conservatory of Music, emphasized the current development trends of artificial intelligence technology and brain science research, as well as the far-reaching social significance of interdisciplinary research on music and brain science. Before speaking, Dean Yu Feng also introduced the simulation robot designed and developed for this concert to the audience.

Yu Feng

Academician Dai Qionghai pointed out at Tsinghua University that the combination of music and technology is an inevitable development trend in the music field, which has broad social and practical significance for the innovation of the music industry. At the same time, she also elaborated on the uniqueness and importance of the intersection of music, artificial intelligence and brain science, pointing out the transformative impact of artificial intelligence technology on the music industry, and its role in the inheritance of traditional culture, industrial upgrading and achievement transformation

As an important part of the 2nd World Music Artificial Intelligence Conference, the "Future Concert" was also held at the event. This concert is an audio-visual feast of art and science presented to the audience by the World Music Artificial Intelligence Conference. The concert features "the cross-border integration of music, artificial intelligence and brain science", which is co-created by musicians and scientists and demonstrates the Central Conservatory of Music's exploration of the infinite possibilities of future music in the form of 3D music

Among the works at the concert, "Observing Oneself II: Like the Heart" is composed for brain-computer interface, expression and emotion recognition, algorithmic music, erhu, and guitar; "Continuum" is composed for the perceptual experience of Lorentz transformation ; "Emperor II - Sigang" is a multi-dimensional dialogue between "De", "Ling", "Kuxian" and electronic music; "Drizzle Path" is composed for piano, machine hearing and AI-generated vision; "Fangyuan" is Written by Zhong Ruan, AI, computer music, and generative vision.

Performance scene

The concert's production team is composed of composers, performers and engineers, covering a variety of cutting-edge technology forms such as artificial intelligence, brain-computer interface technology, expression and emotion recognition, AI-generated vision, computer music, virtual humans, robot dogs, etc. . Enabled by science and technology, the work provides a shocking and futuristic presentation of Confucian philosophy, the concept of space and time in physics, inner life emotions, literati poetry, multi-ethnic culture and many other themes

During the concert, Professor Wang Xiaoqin led the team of the Central Music and Brain Science Laboratory to conduct a live music brain science experiment on site. The experimental team was established by the Central Conservatory of Music and the Brain and Intelligence Laboratory of Tsinghua University. The team invited 6 subjects as audiences, recorded and displayed the subjects' EEG and physiological data in real time while watching the live performance, and will analyze the data in subsequent experiments.

The two works created by Yangyin's artificial intelligence composition system - the overture "Welcome" and "Thousand Miles of Rivers and Mountains" are eye-catching. These two works were performed live by the Central Conservatory of Music Symphony Orchestra through digital human conductor

"Welcome" and "A Thousand Miles of Rivers and Mountains" performance scene

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