本教程重点介绍一些曲线的妙用,如曲线光带及曲线线条等的组合运用。在操作的时候需要配合好背景,把曲线按照一定的规律复制,适当控制好曲线的大小及透明度。做出一系列非常有层次感的曲线,再渲染一下高光,装饰一些星光元素,即可看到非常梦幻的效果。
最终效果
1、新建一个自己屏幕大小的文档如1024 * 768像素,选择渐变工具,颜色设置如图1,由左上角向右下角拉出线性渐变,效果如图2。
<图1>
<图2>
2、新建一个图层,用钢笔勾出图3所示的选区,选择渐变工具,颜色设置如图4,拉出图5所示的线性渐变。
<图3>
<图4>
<图5>
3、新建一个图层,用钢笔勾出图6所示的曲线选区,拉上图7所示的线性渐变。
<图6>
<图7>
4、新建一个图层,用钢笔在图层左侧勾出图8所示的选区,拉上图9所示的线性渐变。
<图8>
<图9>
5、底层的渐变曲线基本完成,现在再来做上层的渐变曲线。新建一个图层,用钢笔勾出图10所示的小曲线路径,转为选区后拉上浅蓝至蓝色的渐变,如下图。
<图10>
6、新建一个图层,用钢笔勾出下图所示的选区,拉上图12所示白色至浅蓝的线性渐变。
<图11>
<图12>
7、按Ctrl + J 把当前图层复制一层,图层不透明度改为:30%,按Ctrl + T 变形处理,把中心点移到曲线顶点,稍微把角度往上移一点,然后按回车确定,再按Ctrl + Alt + Shift + T 复制,效果如图14。
<图13>
<图14>
8、新建一个图层,用钢笔勾出下图所示的选区,拉上白色至蓝色的线性渐变,再用第7步的操作复制,效果如图16。
<图15>
<图16>
9、新建一个图层,同上的方法再制作下图所示的曲线,并复制,效果如图18。
<图17>
<图18>
10、新建一个图层,用椭圆选框工具分别拉出图19及图20所示的选区,羽化30个像素后填充白色。
<图19>
<图20>
11、新建一个图层,用钢笔工具勾出图21所示的闭合路径,转为选区后选择菜单:编辑 > 描边,大小为1像素,颜色为白色,效果如图22。
<图21>
<图22>
12、把直线按照之前的方法复制,如图23,24。
<图23>
<图24>
13、同样的方法再多制作几组曲线,如图25 - 27。
<图25>
<图26>
<图27>
14、新建一个图层,添加一些小圆环装饰,效果如下图。
<图28>
15、新建一个图层,用画笔加上一些小圆点及星光笔刷,效果如下图。
<图29>
最后调整一下细节,加上暗角,完成最终效果。

Adobe Photoshop offers three packages: 1) a single application plan, suitable for users who only need Photoshop, with a low cost, including 20GB of cloud storage; 2) a full set of CreativeCloud plans, suitable for users who need multiple Adobe applications, with a high cost, including 100GB of cloud storage; 3) a preferential plan for students and teachers, suitable for academic users with limited budget, with a low cost, including 20GB of cloud storage.

Photoshop'sprimaryfunctionistoenableuserstomanipulate,enhance,andcreatedigitalimageswithprecisionandcontrol.Itsspecialfeaturesinclude:1)alayer-basededitingsystemforindependentelementmanipulation,2)anextensivelibraryoftoolsandfiltersforvarioustasks,an

Photoshop's cost includes direct costs, time and learning curve, resources and hardware investment. 1. Direct cost: Subscription system $20 to $50 per month, purchase hundreds of dollars at one time. 2. Time and Learning: It requires a lot of time and practice, and it is recommended to learn through online courses and tutorials. 3. Resources and hardware: High-performance computers and sufficient storage space are required to ensure hardware configuration to improve efficiency.

Photoshop's core features include layers, selection tools, and adjustment tools. 1. The layer allows independent editing of image parts and supports layer style. 2. Selection tools such as lasso, magic wand and quick selection tools provide precise editing. 3. Adjustment tools such as color level, curve and hue/saturation can adjust images non-destructively.

In Photoshop, the role of layer masks is to allow hidden or displayed portions of layers in a non-destructive manner. 1. The working principle of layer mask is to control the visibility of the layer through black, white and grayscale. 2. The basic usage includes image synthesis, such as synthesising the character image into a new background. 3. Advanced usage can be achieved by using gradient masks to achieve smooth image transition.

Photoshop's powerful features include smart objects and neural filters, while free alternatives such as GIMP, Krita and Photopea do well in specific fields such as GIMP's layer functionality, Krita's digital paintings and online editing of Photopea.

Color adjustment in Photoshop can be achieved through adjustment layers to make the image more professional. 1. Use color level, curve, hue/saturation and other tools to adjust the hue, saturation and brightness. 2. Apply LUT to create unique color effects. 3. Use adjustment layers to avoid image distortion and use the History panel to track adjustment steps.

Photoshop's applications in the real world include artistic creation, scientific research and commercial marketing. 1) In artistic creation, it is used for digital painting and illustration. 2) In scientific research, it is used for image processing and data visualization. 3) In commercial marketing, it is used for advertising design and brand image shaping. The versatility of this software makes it widely used in various fields.


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