作者处理的非常细，画面中的每个细节都完美的体现出来，因此工作量也是非常大的，要不断用蒙版来控制调色范围，把局部的颜色及明暗度都刻画到位，
最终效果
原图
1、打开Raw后，先观察直方图，看哪里过曝哪里不足。在简单调节曝光、对比度、黑色/白色之后，又进行了智能锐化。他给出的数值是半径0.5,数量50，并尽可能保留细节。
2、接下来就是近似手绘的部分了，大量使用了蒙版。出于个人喜好，他减少了一些水流的蓝色让画面更暖。
作者处理的非常细，画面中的每个细节都完美的体现出来，因此工作量也是非常大的，要不断用蒙版来控制调色范围，把局部的颜色及明暗度都刻画...
3、接下来是饱和度，如图所示。
4、再为水流加个红色的蒙版，透明度11%，混合模式为柔光。看到这里不禁感叹老外真细。
作者处理的非常细，画面中的每个细节都完美的体现出来，因此工作量也是非常大的，要不断用蒙版来控制调色范围，把局部的颜色及明暗度都刻画...
5、为石头添加温暖的橙色图层，透明度63%(大家自己操作时不要照抄，需按照实际情况调节。)同样，柔光模式。
6、其实修到这里摄影师已经差不多满意了，后来经过考虑，为了追求更好的效果建立了一个曲线。
作者处理的非常细，画面中的每个细节都完美的体现出来，因此工作量也是非常大的，要不断用蒙版来控制调色范围，把局部的颜色及明暗度都刻画...
7、添加中性灰颜色的蒙版，描亮/加深石头上对应的亮部/暗部。
8、再次对局域进行曲线调整。
作者处理的非常细，画面中的每个细节都完美的体现出来，因此工作量也是非常大的，要不断用蒙版来控制调色范围，把局部的颜色及明暗度都刻画...
9、调整局域对比度。
10、拉亮整体曲线，透明度29%。这次不用蒙版。
作者处理的非常细，画面中的每个细节都完美的体现出来，因此工作量也是非常大的，要不断用蒙版来控制调色范围，把局部的颜色及明暗度都刻画...
11、拉高画面中较亮部分的曲线。
12、调高画面中较亮部分的对比度。
最终效果：
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