PS skin treatment and finishing method

ps skin processing and refinement method

The first step is to create a new observation group: open the original image and create a new group Name it the Observation layer and create a Curves adjustment layer and a Black and White adjustment layer below the group.

#The second step is to adjust the curve parameters: the curve is set as shown below to obtain a light and dark transition information observation. It is convenient to observe the light and dark changes of the skin.

Step 3: Remove acne "Create a new blank layer, use the stain repair brush, select Sample All Layers in the property bar, and adjust the appropriate brush size. Erase the more obvious acne on the face.

Neutral Gray Skin Resurfacing

Create a new layer , fill the layer with fifty percent gray (RGB is 128 respectively) in soft light mode. Adjust the difference and flow of the brush, and use a black brush to erase the uneven white spots on the face, such as the red area on the face in the picture above .Highlights that shouldn’t appear. Use a white brush to remove spots that are too dark on the face. The purpose of neutral gray is to overdo the skin and make it smooth without obvious bumps, like black spots or nails in white rice. They must be dried out. . If there is a bright spot in the layer surrounded by gray, it must also turn gray.

High and low frequency microdermabrasion

Close the observation group and press SHIFT ALT E stamps the layer, reverse CTRL I, mode Linear Light, execute Filter>>Others>>High Contrast Preserve. The parameter is thirty, execute Filter>>Blur>>Gaussian Blur again, create a mask, the parameter is ten, create Fill the mask with black and rub out the skin alone. Remember not to touch the facial features and the boundary between light and dark.

##Final touches

The skin will transition after microdermabrasion It is very even, but there are still some flaws, and you need to use neutral gray or hyperbola again to adjust. The most important step in portrait retouching is also neutral gray, which requires a lot of practice with the brush. You can practice by individually depicting the facial features. Observe the light and dark changes in the plaster portrait. At the same time, a larger contrast is needed to make the facial features more refined.

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