


Introduction to paragraph formatting and line wrapping methods for HTML web pages
The appearance of a web page depends largely on its layout. When large paragraphs of text appear on the page, they are usually planned in paragraphs, and line breaks are also divided very strictly. This section starts with the detailed settings of paragraphs, so that readers can use tags to handle large paragraphs of text freely after learning.
Text and paragraphs in HTML web pages
Through the study of the previous chapter, readers have a solid foundation in setting up the overall performance of web pages. However, readers not only want to display text on the web page, but also want to format and modify the text on the web page. In this chapter, you will learn about simple text layout, decoration, scrolling text and hyperlinks. Hyperlinks are ubiquitous in website development and are the focus of web pages.
When studying this chapter, create a directory named chapter3 in the D:\web\ directory, move the files of the previous chapter to D:\web\chapter3, and make a classification. This chapter continues to create sample files in the D:\web\ directory, which makes it easier to test the sample files with IIS.
— Note: The following chapters will be treated similarly and will not be repeated. For example, the files in Chapter 4 are classified into D:\web\chapter4.
4.1 Paragraph layout and line breaks
The appearance of a web page depends largely on its layout. When large paragraphs of text appear on the page, they are usually planned in paragraphs, and line breaks are also divided very strictly. This section starts with the detailed settings of paragraphs, so that readers can use tags to handle large paragraphs of text freely after learning.
4.1.1 Segmenting large paragraphs of text
Simply use the
at the beginning of a paragraph. Use the
tag at the end of a paragraph. Some web pages omit when segmenting, that is, it is used as a single tag, because the tag at the beginning of the next paragraph means the end of the previous paragraph.
— Note: The author does not recommend using
as a single tag, as this code is not standardized and prone to errors.
Create a web page file in the D:\web\ directory, name it p.htm, and write the code as shown in Code 4.1.
Code 4.1 Section settings: p.htm
head>
Movie Biweekly: "Infernal Affairs III: The Ultimate Infernal Affairs" review feature
2002At the end of the year, the myth begins. Autumn and winter of 2003, heading towards the climax and ultimate. "Infernal Affairs" is self-accepted and derived from Buddhist concepts. Light and darkness, survival and destruction, existence and nothingness are entangled in a chaotic unity, and they fall apart in shock. It is also a process of richness and unity. Where there is cause, there is effect, where there is evil, there is fate. The beauty of environment and appearance lies in the limits of verbal interpretation. They cannot be explained, nor can they be silenced. They rely on each other. The heartbeat is always there, questioning myself and time and space. This was the best of times, this was the worst of times, people from almost every era are saying this. However, "Vimalakīrti Sutra: The Seventh Life of the Audience" says: Without abiding, there is no foundation. Starting from the words and deeds of the body, passing through the indescribable level, initially reaching the realm of self-view of existence, and finally boiling down to the attitude of survival. In my opinion, Liu Jianming, Chen Yongren, Han Chen, Huang Zhicheng, Ni Yongxiao, Lu Qichang, Yang Jinrong, Shen Cheng and others are actually mirror figures in fate. They can all see themselves in each other, fighting, bursting, assertive, and radiant. It seems like a disaster and a twisted life, so it is called "Infernal Affairs".
Gu Zhun said that from idealism to empiricism, Wang Xiaobo said that we should be wary of tyrants and heroes. Who is the hero? Where do they come from? So what if they come? Do we still need heroes in our time? When I was editing this issue of E Forum, I felt a little relieved. It can be seen from the text that everyone is thinking about it. After all, we are no longer a blindly obedient generation. In my opinion, entertainment has always been more than entertainment itself. A world can be seen from a drop of water, a flower, or a grain of sand. We are bound to think more from a movie, and our understanding is bound to be endlessly variable. Each of us makes up this world, whether it is good or bad, we all have a share. Each of us has our own life, with advantages and disadvantages. This is the basis for our common progress.
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