The new album of "Star Iron", which is at the peak of its debut, is the epitome of miHoYo's eclectic music.

Before Robin's new album "Air Chrysalis" was released, no one would have thought that a game music album from "Honkai Impact: Star Rail" (hereinafter referred to as "Star Rail") would become "Top" on the charts of major music platforms.

In addition to the ranking on the list, paper data such as over 10 million views on the first day and nearly 300,000 comments in three days made this album even more impressive. Its popularity exceeds the imagination of many players and even outsiders.

# The major music platforms are so popular, and the reaction among players is even more conceivable. Even before the album is officially released, the release of each single can trigger waves of viewing and discussion among players in the community. And the related second creations of these singles have already become the most popular content in the "Star Iron" community.

When I first saw "Air Chrysalis"'s "charting" performance, I was a little surprised. After all, "Star Iron" had already announced the release of this album as early as the preview live broadcast of version 2.2, knowing that this was content to be launched to coordinate with the new version.

But the key to why this album has gained such popularity lies in this "coordination". Whether it is in music albums, related singles, or community comments, you can see a lot of discussions about the plot content of the game. The success of "Air Chrysalis" is not so much due to the music itself, but more to the result of the cooperation and interaction between music and game content.

Why does your song have its own graphics?

Binding with content has always been an impressive source and feature of game music, and the same is true for the "Air Chrysalis" album.

Although three singles from the album, "Save a Heart from Sorrow," "Hope Has Feathers and Wings," and "Swinging Alone in the Galaxy," are included in the game, " "Star Iron" is not ready to let these songs stop simply "listening". Through a series of careful designs, these three songs are cleverly arranged into the players' game process.

As early as version 2.0, "Save a Heart from Sorrow" has already appeared in plots related to Liuying. The beautiful scenery, fleeting shooting stars, Liu Ying's true feelings, coupled with this graceful and touching song, everything serves to enhance the atmosphere of the story. It is this shaping that makes the character Liu Ying a favorite among players, and "Saving a Heart from Sadness", which exaggerates the atmosphere, has naturally become the best way for players to reminisce about this plot and character.

As the BGM for the second half of the "God's Day" BOSS battle, "Hope Has Feathers and Wings" not only relies on the right timing of appearance, but also represents the theme of the entire battle. Turns and changes, and at the same time, its own passionate melody has become an outlet for the pent-up emotions of the players in the first half of the battle. While vividly rendering themes such as hope and bonds, it also performed an impressive performance for the players. BOSS battle.

As for the last single "Swinging Lonely in the Galaxy", it shows a different style from the first two BGMs, as the finishing move of the Robin character BGM, the rhythm of this song is more brisk, it will continue during the finishing move, and it is more in line with the character of Robin assisting in combat and bringing gains and strength to teammates...

Although these three singles appeared at different times and on different occasions, it is not difficult to find what they have in common: deep participation in the game process. Whether it is used as the BGM for the climax of the plot, serves as the background music for the BOSS battle, or appears during the character's finishing move, these singles play an indispensable role in shaping the content.

In other words, the game content impresses the players, and the videos and music as its carriers naturally become an extension of the players' love for the content. The Robin album's "chart dominance" is due to players' love and recognition of the content behind the music.

Pinoconi, "Multicultural Capital"

As a well-known singer in Pinoconi and even the entire galaxy, Robin's song styles are ever-changing, and this is also one of the characteristics of the planet Pinoconi.

The "Land of Dreams" is the first impression that the planet Pinoconi brings to players. It is like a lighthouse in the galaxy, bringing dreams and hopes to thousands of visitors. But beneath this surface, the history of Pinocchio is also full of resistance, inheritance and sacrifice. This complex history and current situation is not only the basis of the story experienced by the players, but also becomes the basis for "Star Iron". The source of inspiration for his music.

In the "Songs of a Distant Planet" documentary officially released by "Star Iron" a few days ago, several main creators responsible for the music of "Star Iron" used this method In this context, I came to share with the players my mental journey when creating music.

First of all, in order to allow players to remember this "Dream Land" at the first glance, the team deliberately made Pinoconi's "Brainwashing Divine Comedy" "Sleepless Night" The melody became catchy and easy to remember, and when arranging the song, the team chose to use funk, synthesizer and other elements to fit the bustling and lively setting of Pinoconi.

When facing different areas such as "Golden Moment", "Children's Dream" and "Dream Building Border", the team also used different timbres and melodies to Highlight the characteristics of different regions and make differentiation.

The "Golden Moment" part will tend to use wind instruments, and the arrangement will also try its best to create a positive atmosphere; in "Children's Dream", the music team will use some distorted and slightly out-of-tune timbres. Showing the fragmentation and absurdity of this scene; and in the "Pinoconi Grand Theater", which focuses on grandeur and splendor, players will usher in the climax of the entire plot. In order to enhance this atmosphere, pipe organ and vocal chorus The cooperation becomes the best choice.

Regarding the musical style of Robin, the documentary also gave a thoughtful explanation: As a world-famous singer, Robin represents Pinocon Her music style is not only influenced by Asian pop music, but also has the shadow of European and American pop music.

In short, this diverse music style is not only a display of the character of Robin, in line with the definition of Pinoconi, but also an interpretation of the inclusive culture of this planet.

Conclusion

At the end of the documentary "Songs of a Distant Planet", the music team of "Star Iron" made a summary of the entire Pinoconi music: This planet belongs to "the same planet" "Harmonious", it welcomes people from all over the world to enter, and at the same time absorbs their culture, bringing many "imported products" to itself. The robin is a symbol of this composite culture, and it is also a representative of Pinocchio's diverse culture.

It is because of this eclecticism that we can hear different styles of music in Pinoconi. They seem to be ever-changing, but they are essentially the same - right A simple expression of emotion. In other words, behind the diverse musical styles of Robin and Pinocchio is "Star Iron"'s tolerance and recognition of different cultures, and this willingness to jump out of the "comfort zone" of existing content and dare to try a variety of styles The attitude may be the key to "Star Iron" attracting players.

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